Emo country? It's a blend you wouldn't expect, but Week Knees has successfully made it their own on their EP Southern Hospitality. Imagine if emo had a bit of southern charm, sprinkled with country influences, and then topped off with screams and breakdowns—this band nails that quirky combination. The EP takes you through a rollercoaster of moods, with everything from calm, reflective vocals to intense, howling screams that really cut through the mix.
The guitar work is tight and dynamic, complementing the bass lines that add depth to every track. There are moments when the instruments really shine, adding layers of emotion and intensity that make the music stand out. The bass plays a pivotal role in giving the songs an extra punch, while the guitars seamlessly move from twangy country tones to more aggressive, distorted riffs.
The drums, though sometimes harder to pick out in the mix, bring a nice punch when they do make an appearance. When you catch them, the beats add a lot of groove and personality to the tracks. But there is a small hiccup: the vocals, which at times can sound a bit awkward, occasionally struggle to find their place in the mix. It feels like the vocals could be a bit more polished, especially in terms of clarity and balance with the rest of the instruments.
Despite those minor issues, Southern Hospitality shows a lot of promise. It's a fun, experimental ride through a unique genre fusion, and while the vocals might need a bit more attention, the instrumentation, energy, and creativity on display make this EP worth checking out. Week Knees has a refreshing sound, and with a little refinement, they could really carve out their own space in the scene.
RATING: 7.5/10
NOTIABLE TRACKS:
Bud The Weiser
Dirty Chai