Hex - God Takes The Souls Of The Dead And Damned Review

Hex - God Takes The Souls Of The Dead And Damned Review

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Singaporean hardcore outfit Hex bring a raw, sludgy, and atmospheric weight to their latest EP, God Takes the Souls of the Dead and Damned. Across three tracks, the band explores a blend of heavy hardcore, groove metal, and death-influenced doom, leaning into both oppressive density and moments of eerie space. While there are flashes of brilliance and a distinct identity forming, the EP sometimes stumbles under the weight of its own pacing. Still, there’s a lot of promise here, especially in the darker, more groove-laden moments.

The opening track, “Lost Souls,” creeps in with a slow crawl and an unsettling vocal sample, setting the tone with a sense of menace and decay. The guitar riffs are grimy and unpolished in a way that works to their advantage—there's a satisfying, raw crunch to the tone. The drums feel massive and roomy, anchoring the track in a cavernous atmosphere.

Vocalist [Name, if known] delivers with clarity and power. Her guttural screams show solid range, and her presence cuts through the mix well. Unfortunately, the song suffers from long stretches of empty space that undercut its intensity. Some sections drag on just a bit too long without enough variation, making parts of the song feel repetitive or underdeveloped.

However, the back half of “Lost Souls” finds its footing. When the band tightens up the rhythm and adds more groove to the structure, the song starts to feel alive. The closing breakdown is a highlight—it’s heavier, more rhythmically engaging, and gives a glimpse of Hex at their most compelling.

Track two picks up the pace with a faster tempo and some seriously deep, thunderous double-kick drumming. The guitars remain chuggy but tighter, locking in with the rhythm section in a way that adds energy and urgency. There's a sharper edge to the riffs here—they feel more deliberate, more locked-in.

The vocals are still solid, though at moments they sound slightly strained. Still, there’s enough grit and aggression to carry the performance through. The breakdowns hit harder this time, largely because the tighter songwriting fills out more of the space that felt vacant on the first track. The increased density in the riffing helps maintain momentum.

Unfortunately, the track falls into a similar trap as the opener in its final moments. After such a strong middle section, the energy dips into a more sluggish and empty outro that saps some of the song’s earlier intensity.

“Sacred Mind” is the strongest and most cohesive track on the EP. The riffs are denser and more complex, bringing a groovy death-metal feel that suits the band perfectly. The guitar tuning is crushing, and the low end—especially the bass—adds serious heft to the mix.

The drums are dark and punchy, matching the track’s aggressive tone. Vocally, this is the most venomous performance on the EP—more angry, more visceral, and fully committed. The slowed-down passages here feel earned and organic, unlike the more awkward pacing shifts in the earlier tracks.

There’s a palpable tension throughout, especially in the slow build-up toward the finale. That build genuinely creates anticipation and even a sense of dread. While the closing breakdown doesn’t quite reach a climactic payoff, it’s one of the most complete and fully realized moments on the EP.

God Takes the Souls of the Dead and Damned is a solid effort that showcases Hex’s potential. When they lean into slow, doom-laced grooves and match that with tighter songwriting and atmospheric density, they create something darkly captivating. The vocals are a strong standout, and the rhythm section gives the tracks a strong backbone.

That said, the EP is held back by pacing issues—long, underdeveloped sections that stall the momentum and make some parts feel incomplete. If Hex can trim the fat and focus more on fleshing out their strongest ideas (like those on “Sacred Mind”), they could become a serious force in the Southeast Asian heavy music scene.

Band hardcore dari Singapura, Hex, membawakan bunyi berat yang mentah dan suram dalam EP terbaru mereka, God Takes the Souls of the Dead and Damned. Sepanjang tiga lagu, mereka meneroka gabungan hardcore berat, groove metal, dan unsur death metal yang perlahan dan berat, dengan suasana gelap dan penuh tekanan. Walaupun ada momen yang menyerlah serta identiti muzik yang sedang terbentuk, EP ini kadangkala terasa lesu disebabkan susunan lagu yang agak perlahan. Namun begitu, potensi mereka jelas, terutama bila mereka fokus kepada rentak groove yang lebih berat dan atmosphera yang kelam.


Lagu pembukaan, “Lost Souls”, bermula dengan rentak perlahan dan sampel suara menyeramkan yang mencetuskan suasana suram. Gitar berbunyi kasar dan kotor—sesuatu yang sesuai dengan mood lagu ini. Dram pula kedengaran besar dan bergema, memberikan lagu ini rasa yang mendalam.

Vokalisnya menunjukkan suara yang lantang dan jelas. Jeritan guttural beliau menunjukkan kepelbagaian vokal yang baik. Tapi sayangnya, ada bahagian lagu yang terlalu banyak ruang kosong dan tidak cukup variasi—menjadikan lagu ini terasa terlalu panjang dan sedikit membosankan.

Namun, bahagian akhir lagu ini lebih bertenaga dan menarik. Bila band ini mengetatkan tempo dan menambahkan groove, lagu ini menjadi lebih hidup. Breakdown di penghujung lagu adalah antara bahagian terbaik—lebih berat dan berstruktur, menunjukkan potensi sebenar Hex.

Lagu kedua lebih pantas dengan permainan double kick pada dram yang mantap dan dalam. Riff gitar masih berat, tapi lebih ketat dan sepadan dengan rentak dram. Kali ini, riff gitar ada ketajaman yang lebih jelas.

Vokal masih kedengaran kuat, walaupun ada ketika ia kedengaran agak tertekan. Namun, tenaga masih ada. Breakdown dalam lagu ini terasa lebih mantap, mungkin sebab susunan lagu kali ini lebih padat dan tak biarkan ruang kosong terlalu lama. Ia buat lagu terasa lebih berat dan padat.

Tapi, sekali lagi, bahagian akhir lagu kembali kepada tempo perlahan yang kurang menyerlah. Selepas bahagian tengah yang kuat, penurunan tenaga ini agak mengecewakan.


“Sacred Mind” adalah lagu terbaik dalam EP ini. Riff gitar lebih padat dan membawa feel death metal yang groovy dan berat. Nada gitar dan bass sangat berkesan—menambah berat dan kedalaman keseluruhan bunyi.

Dram pula padat dan agresif. Vokal dalam lagu ini paling marah dan penuh emosi, benar-benar menyerlahkan semangat lagu ini. Bahagian perlahan dalam lagu ini terasa lebih semula jadi dan sesuai, tak seperti lagu-lagu sebelumnya yang kadang-kadang terasa kosong.

Build-up perlahan di hujung lagu sangat berkesan dan berjaya membina rasa jangkaan. Breakdown di akhir lagu mungkin tidak sekuat yang dijangka, tapi ia tetap antara bahagian paling lengkap dalam EP ini.


EP God Takes the Souls of the Dead and Damned menunjukkan potensi besar daripada Hex. Bila mereka fokus pada groove berat dan suasana gelap yang lebih padat, hasilnya benar-benar menarik. Vokal dan bahagian dram adalah kekuatan utama mereka.

Namun, masalah utama EP ini ialah susunan lagu yang kadangkala terlalu perlahan atau terlalu banyak ruang kosong. Jika Hex dapat memperkemaskan struktur lagu mereka dan menumpukan perhatian pada elemen yang paling kuat (seperti dalam “Sacred Mind”), mereka boleh pergi jauh dalam scene muzik berat Asia Tenggara.

RATING: 6.5/10

NOTABLE TRACKS: 

Sacred Mind

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