Retina - Contraband Review

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Orlando, Florida hardcore outfit Retina deliver one of the year's most oppressive and memorable short-form releases with Contraband. Across just four tracks, the band combines metallic hardcore aggression, dissonant riffing, unsettling atmosphere, and deliberately murky production into a sound that feels both nostalgic and forward-thinking. While many contemporary hardcore bands chase polished production and pristine mixes, Retina fully embrace grime, tension, and discomfort, creating a release that feels like it’s slowly closing in around the listener.

The EP opens with "Intro," a track that wastes no time establishing the band's identity. Ringing distorted guitars hang in the air before massive drums and crushing chugs take control. The stop-start rhythms create an immediate sense of unease, while the metallic edge running through the riffs recalls classic bands that prioritized weight and atmosphere over technical flash. The snare cracks sharply through the mix, providing one of the few clean points of impact within an otherwise suffocating wall of sound. Meanwhile, the vocals sit buried beneath the instrumentation, adding to the claustrophobic feeling rather than competing for attention.

"Mortem" expands upon that formula while introducing some of the EP's strongest songwriting. Thick bass lines move beneath dissonant guitar work, creating a layered heaviness that feels far larger than the band's relatively short runtime would suggest. The slower breakdowns hit with enormous force, while the more chaotic sections bring an unpredictable energy that keeps the song engaging throughout. Retina excel at making discomfort feel intentional, and nowhere is that more apparent than here. The track constantly feels unstable, yet every shift in pacing serves a purpose.

The third track, "Null," pushes even further into dissonant territory. Jagged guitar passages and off-kilter rhythms create an almost anxious listening experience. The drums shine throughout, providing both momentum and structure amid the chaos. While the vocals remain heavily distorted and buried, they function as another instrument within the mix rather than a focal point. The gradual build toward the song's latter half is particularly effective, allowing tension to accumulate before releasing it through another wave of crushing heaviness.

Closing track "18.98Hz" may be the EP's most atmospheric and unsettling composition. Slow-moving riffs and eerie guitar textures immediately create a sense of dread. The song demonstrates Retina's ability to make relatively simple ideas feel enormous through repetition, pacing, and atmosphere alone. Rather than overwhelming the listener with constant movement, the band allow riffs to linger and resonate. As the track progresses, the tension gradually escalates until everything finally collapses into a frantic and chaotic finale that serves as a perfect conclusion to the EP.

What makes Contraband stand out is the band's commitment to its vision. The intentionally muddy production and buried vocal mix won't appeal to everyone, but they give the EP a unique identity in a scene increasingly dominated by clean and predictable recordings. Retina understand that heaviness isn't only about breakdowns or downtuned riffs; it's also about atmosphere, tension, and the ability to make listeners feel uncomfortable.

The EP's strongest asset is its ability to balance groove and dissonance. Even during the most chaotic moments, the band never lose sight of songwriting. The riffs remain memorable, the rhythm section consistently drives the songs forward, and the oppressive atmosphere ties everything together into a cohesive experience.

For fans of metallic hardcore, dissonant metalcore, and darker forms of hardcore that prioritize mood as much as aggression, Contraband is an easy recommendation. Retina have crafted a release that feels genuinely hostile, immersive, and memorable. It may only last a handful of tracks, but it leaves a far greater impact than many full-length albums.

Rating 8.5/10

NOTABLE TRACKS: 

mortem

18.98hz

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